Asian cultural institutions deepen heritage exchange through international exhibitions and traditional festivals.

The Shanghai museum is part of a broader network of refugee-community sites, including the White Horse Inn, the Joint Distribution Committee site, Huoshan Park and Roy Roof Garden. Its Ohel Moshe Synagogue, built in 1927 with funds raised by Russian Jews, is one of only two remaining synagogues in Shanghai.
Vietnam’s 2026 Mid-Autumn program will feature lion dances, Xam singing and water puppetry, while children can make clay figurines, fruit sculptures and painted papier-mâché masks and play traditional games such as O An Quan and tug-of-war.
The New Delhi exhibition One Mother, Many Mother Tongues includes 27 works from Indian and Italian museums and private collections; Botticelli’s Madonna and Child was loaned by Florence’s Museo Stibbert. Italian Ambassador Antonio Bartoli called culture “a vehicle for friendship and interaction between people and societies of Italy and India.”
Hanoi’s “Green Heritage” Cultural Season runs from September 19, 2026, to January 10, 2027, and begins with an exhibition of 47 photographs of the city’s trees. The initiative was designed with cultural experts from France’s Île-de-France region and builds on restoration work at the villa at 49 Tran Hung Dao.
The Cheenapara Heritage Gallery opened on September 5 during Kolkata’s Hungry Ghost Festival, a date community members viewed as symbolic of paying homage to ancestors. The gallery was created through a collaboration between Singapore-based design studio The Cha Project and the Kolkata chapter of the Indian National Trust for Art and Cultural Heritage (INTACH).
Asian cultural institutions are racing to preserve heritage while bringing history to life for new generations. From Shanghai's Jewish Refugees Museum documenting 20,000 European Jews who sheltered during World War II to Vietnam's expanded Mid-Autumn Festival programs featuring traditional crafts and water puppetry, museums and galleries across the continent are deepening cultural exchange and making ancestral memory accessible to families today.
India is expanding its international art reach with major exhibitions like New Delhi's One Mother, Many Mother Tongues, which features 27 works including a Botticelli painting loaned from Florence. Meanwhile, Hanoi and Kolkata are restoring historic sites and opening new galleries dedicated to the city's immigrant communities, linking cultural preservation to broader urban identity.
Shanghai's Jewish Refugees Museum stands at the center of a network preserving one of World War II's most remarkable stories. The site documents how approximately 20,000 European Jews found safety in the city, surviving the Holocaust through artifacts, photographs, and access to historic community spaces. The museum preserves the Ohel Moshe Synagogue, built in 1927 with funds raised by Russian Jews—one of only two remaining synagogues in Shanghai today.
The museum anchors a broader heritage network that includes the White Horse Inn, the Joint Distribution Committee site, Huoshan Park and the Roy Roof Garden. Together, these locations tell a continuous story of resilience, community, and cultural survival during one of history's darkest periods.
Vietnam's 2026 Mid-Autumn Festival program weaves together folk performances, traditional crafts, games, and storytelling to bind children and families to Vietnamese heritage. The celebration will feature lion dances, Xam singing, and water puppetry performances. Children can craft clay figurines, fruit sculptures, and painted papier-mâché masks while playing age-old games like O An Quan and tug-of-war.
The festival demonstrates how Asia's cultural institutions are moving beyond static displays. Instead, they're creating immersive experiences where younger generations participate in traditions firsthand, ensuring cultural knowledge passes naturally through family and community engagement rather than textbooks alone.
New Delhi's One Mother, Many Mother Tongues exhibition brings together 27 artworks from Indian and Italian museums and private collections, including a Botticelli Madonna and Child loaned from Florence's Museo Stibbert. Italian Ambassador Antonio Bartoli called culture "a vehicle for friendship and interaction between people and societies of Italy and India." The show signals expanding museum infrastructure and deeper international cooperation across South Asia.
India's growing appetite for international art exhibitions reflects confidence in its institutions and audiences. Museums are now hosting major European masterpieces, reversing older patterns where Asian art traveled west. This shift puts Indian and Italian cultural expertise on equal footing.
Hanoi's "Green Heritage" Cultural Season runs from September 19, 2026, to January 10, 2027, opening with 47 photographs of the city's historic trees. The initiative uses a restored villa at 49 Tran Hung Dao to explore trees and urban landscapes as living heritage. French cultural experts from the Île-de-France region collaborated on the design, linking environmental and cultural preservation.
In Kolkata, the Cheenapara Heritage Gallery opened September 5 during the Hungry Ghost Festival—a symbolic date chosen by community members to honor ancestors. The gallery preserves the history and traditions of Kolkata's Chinese community through collaboration between Singapore's The Cha Project design studio and India's National Trust for Art and Cultural Heritage (INTACH).
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