New Nikon Cinema Gear
Nikon Announces Major ZR Firmware Update and New Cinema Lens Series
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Key Points
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Nikon says the new Log3G10 and REDWideGamutRGB options will let filmmakers access RED color science in smaller H.265 files instead of always using the larger R3D NE format. The adjustable high-ISO noise-reduction setting is also intended to address the excessive processing and softness reported in existing H.265 footage.
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Several frequently requested ZR features are not confirmed for firmware V2.00, including more-compressed R3D NE options, a compressed 10-bit 4:2:2 codec, true 24 fps, RED-style false color, and a fix for the heavily processed H.265 image.
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The NIKKOR Z CINEMA T1.9 VV lenses are being designed to cover the RED V-RAPTOR X VV’s 40.96-by-21.60mm sensor, extending beyond conventional full-frame image coverage.
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Unlike many cinema lenses that rely exclusively on manual focus, Nikon’s VV lenses will use high-precision autofocus motors aimed at solo operators and fast-paced video production.
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RED’s planned remote-control support is expected to cover both the RED CONTROL and RED CONTROL PRO applications, expanding remote operation of the ZR beyond the camera’s own controls.
Nikon is bringing RED's professional color science to its ZR cinema camera with firmware V2.00, arriving in 2026. The update will add Log3G10 gamma and REDWideGamutRGB color space to H.265 recording, giving filmmakers more grading flexibility without jumping to large R3D NE files FreeYork. Nikon is also rolling out a nine-lens NIKKOR Z CINEMA lineup designed for RED's large-format sensors, starting with a 50mm T1.9 autofocus prime.
The firmware adds adjustable high-ISO noise reduction and focus peaking to help manual-focus shooters. More advanced features — open-gate recording and in-camera anamorphic de-squeeze — won't arrive until 2027 NoFilmSchool.
RED Color Science Comes to H.265 Files
The V2.00 update solves a longtime problem: filmmakers had to choose between RED's pristine color science in giant R3D NE files or smaller, less flexible H.265 footage. Now, Log3G10 and REDWideGamutRGB bring that color quality to compressed H.265 FreeYork. This means faster workflows and smaller storage needs without sacrificing color-grading power.
The new adjustable high-ISO noise reduction tackles another complaint: existing H.265 video looked overly processed and soft. This setting lets users dial down unwanted smoothing while keeping cleaner shadows and highlights NoFilmSchool.
Focus Peaking Helps Manual-Lens Filmmakers
Focus peaking — a tool that highlights in-focus areas on screen — is new to the ZR's feature set. It's designed for cinematographers using vintage or specialty manual lenses on the camera NoFilmSchool. The feature makes it easier to nail focus during fast-paced shoots, especially for solo operators who can't rely on a dedicated focus puller.
Nine Autofocus Cinema Lenses for Large-Format Sensors
Nikon is building the NIKKOR Z CINEMA T1.9 VV lineup to cover RED's V-RAPTOR X VV sensor, which is significantly larger than standard full-frame. The lenses use precision autofocus motors — rare in high-end cinema glass — aimed at solo operators and fast, unpredictable production schedules FreeYork. The series will include nine focal lengths total, though only a 50mm T1.9 prime has been announced so far.
Pricing and exact focal lengths remain undisclosed. These lenses set Nikon apart from competitors that rely solely on manual focus, making them practical for streamlined crews and documentary-style shoots FreeYork.
RED Remote Control Support Coming Next
RED is updating its CONTROL and CONTROL PRO apps to let users operate the ZR remotely. This expands what was previously limited to the camera's built-in controls, making it easier for teams to monitor and adjust settings from a distance NoFilmSchool. Details on exactly when these app updates arrive have not been confirmed.
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