Critics laud Dominic Sessa's performance as young Anthony Bourdain in acclaimed 'Tony' biopic

Dominic Sessa, known for The Holdovers and Now You See Me: Now You Don’t, is cast as the young Anthony Bourdain in Tony.
The film opens on August 7 and, as of July 29, had a 100% Rotten Tomatoes score.
In 1975, the story places Bourdain in Cape Cod during the summer, where he works at a seafood restaurant as part of his early culinary journey.
The film explicitly acknowledges the real-life tragedy of Bourdain’s death in 2018, noting the later events that shadow his life story.
At the Golden Steer premiere in Greenwich Village, attendees included Stavros Halkias and Cole Sprouse, with Dominic Sessa in Bourdain-inspired curls and a Bourdain coffee-table book on display.
The Anthony Bourdain biopic Tony opens August 7 with a perfect 100% score on Rotten Tomatoes as of July 29, drawing early praise for its portrait of a scrappy, hungry 19-year-old Bourdain finding his footing in 1975 Provincetown. Today reports the film stars Dominic Sessa alongside Antonio Banderas, Emilia Jones, and Leo Woodall, and is directed by Matt Johnson.
Critics have zeroed in on Sessa's performance as the young Bourdain — equal parts raw ambition and vulnerability — while noting that the film's coming-of-age story is shadowed by the knowledge of Bourdain's death in 2018. Bon Appétit covered the A24 premiere party at the Golden Steer steakhouse in Greenwich Village, where celebrities gathered to celebrate Bourdain's memory.
Sessa, best known for The Holdovers, plays Bourdain at 19 — working at a Cape Cod seafood restaurant in the summer of 1975. The film draws on the early chapters of Bourdain's memoir Kitchen Confidential to flesh out the story. Critics say Sessa captures both the drive and the uncertainty of a young man who doesn't yet know what he'll become.
Today notes that the supporting cast — Banderas, Jones, and Woodall — rounds out a film built on close character detail rather than big biographical sweep. The result, reviewers say, feels less like a greatest-hits tribute and more like an honest portrait of early hunger and ambition.
The premiere party unfolded at the Golden Steer steakhouse at One Fifth Avenue in Greenwich Village — a setting with its own history tied to Bourdain. Bon Appétit reported that guests included comedian Stavros Halkias, actor Cole Sprouse, and food media personality Kareem Rahma. Sessa arrived in Bourdain-inspired curls, and a Bourdain coffee-table book sat on display.
The gathering underscored how much Bourdain's legacy still resonates, especially against today's influencer-driven food culture. WDC News 6 noted that the event brought together celebrities and food media figures united by a shared affection for Bourdain's no-nonsense approach to food and storytelling.
Tony is a coming-of-age story, but it doesn't pretend the story ends well. The film openly acknowledges Bourdain's 2018 death, using it as an emotional frame. That choice gives the lighthearted 1975 scenes a bittersweet weight. Viewers already know where the road leads — and the film leans into that tension.
Archynetys tracked coverage across multiple outlets, noting the biopic is generating wide entertainment buzz. The 100% Rotten Tomatoes score — based on early reviews as of late July — signals that critics see Tony as more than a nostalgia piece. It uses allegory and character study to say something real about ambition, identity, and the cost of a life lived at full speed.
Tony hits theaters on August 7. It is an A24 release — the studio known for prestige films like Midsommar and Everything Everywhere All at Once. The 100% Rotten Tomatoes score gives it early momentum, though the full critical picture will sharpen closer to opening weekend.
For Bourdain fans, the film offers a rare look at who he was before he became famous. The Provincetown setting, the seafood restaurant job, the restless ambition — it's the origin story Kitchen Confidential only hinted at. Bon Appétit suggests the film hits differently in an era when food culture is dominated by curated social media aesthetics Bourdain would have hated.
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